Questions: Waqf, Rawm and Ishmaam

Islam > Quran > Tajweed > Questions: Waqf, Rawm and Ishmaam

Updated on 04 October 2026 at 11:01 PM

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Questions

  1. Name the types of stopping (Waqf) on word endings.
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    When stopping on a word ending, three modes present themselves: the pure sukoon, the Rawm and the Ishmaam. The Rawm consists in giving two thirds of the vowel; the Ishmaam consists in rounding the lips after the sukoon of the letter, as a sign of its dhammah; the pure sukoon is the stop free of Rawm and Ishmaam.

    Review: Madd 'Arid li-s-Sukoon and Ikhfa Shafawi

  2. What is the original (al-asl) in stopping? And why?
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    The original in stopping is stopping with the pure sukoon, that is, free of Rawm and Ishmaam: it is the first of the ways cited in each of the categories of stopping, and the Rawm and the Ishmaam are only admitted there as additional ways whose purpose is to indicate the original vowel of the letter on which one stops.

    Review: Madd 'Arid li-s-Sukoon

  3. Define the Rawm, then state where it occurs when stopping, and whether it occurs in the middle of the word or not. With illustration.
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    The Rawm is the partial cutting of the vowel with a fleeting sound: two thirds of the vowel are given, and some express it by the term Ikhfa. It takes the ruling of wasl and is only done with qasr: it is specific to what ends with a kasrah or a dhammah, never with a fathah. It occurs only when stopping at the end of the word. Illustration: the raa of وَالْعَصْرِ and the word الرَّحِيمِ when stopping with Rawm.

    Review: Madd 'Arid li-s-Sukoon and Tafkheem and Tarqeeq

  4. What is the difference between the Rawm and the Ikhtilaas?
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    The Rawm and the Ikhtilaas are one and the same mode: the Rawm, that is, the partial cutting of the vowel, which some call al-Ikhtilaas, as established in the quotation of "Nihayat al-Qawl al-Mufid" in the chapter on the two types of Ikhfa.

    Review: Ikhfa Shafawi

  5. Define the Ishmaam, name its types, then lay out the benefit of the Rawm and the Ishmaam.
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    The Ishmaam is the rounding of the two lips after the sukoon of the letter, as a sign that its origin is dhammah: for example in تَأْمَنَّا of Yusuf, the Idghaam with Ishmaam, in which the two lips are closed at the same time as the pronunciation of the first sakina noon. The module mentions its use in the 'arid marfoo' Madd, the muttasil with a dropped hamza and تَأْمَنَّا; the detailed division of its types is not laid out in this module; see the book Qawa'id al-Tajwid on the recitation of Hafs. The benefit of the Rawm and the Ishmaam is to indicate the original vowel of the letter on which one stops: the Ishmaam that the vowel is a dhammah, and the Rawm likewise for the kasrah or the dhammah.

    Review: Ikhfa Shafawi, Madd 'Arid li-s-Sukoon and Mutamathilayn

  6. State the places where one stops with the pure sukoon, where the Rawm and the Ishmaam are not permitted, with illustration.
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    The Rawm is specific to what ends with a kasrah or a dhammah, and the Ishmaam is specific to what ends with a dhammah: therefore everything that ends with a fathah, that is, the mansub, like الْمُسْتَقِيمَ and الْعَالَمِينَ, stops with the pure sukoon only, free of Rawm and Ishmaam, with qasr, tawassut or ishba'.

    Review: Madd 'Arid li-s-Sukoon

  7. Name the forms in which the Haa of the pronoun by which the absent singular is designated occurs.
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    The Haa of the pronoun designating the absent singular has as its origin indeclinability on dhammah, as in لَهُ and مِنْهُ, unless a kasrah precedes it, as in بِهِ, or a sakina yaa, as in عَلَيْهِ: it is then given kasrah. It therefore occurs in two forms: with dhammah, joined in wasl by a waaw lengthened by two counts, and with kasrah, joined by a yaa lengthened by two counts; that is the Madd Silah, marked by a small waaw or a small yaa after the Haa. If a hamza comes after it, the Madd belongs to Madd Munfasil.

    Review: Haa al-Kinaya and Names of the Madd

  8. Explain the schools of the readers (ahl al-adaa') concerning the ruling on stopping on the Haa of the pronoun.
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    This concept is not detailed in this module; see the book Qawa'id al-Tajwid on the recitation of Hafs.

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